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    电影 帝国[电影解说]

    帝国[电影解说]

    影片信息
    • 片名：帝国[电影解说]
    • 状态：已完结
    • 主演：Alla Osipenko/
    • 导演：亚历山大·索科洛夫/
    • 年份：1987
    • 地区：其它
    • 类型：电影解说/
    • 时长：内详
    • 上映：未知
    • 语言：其它
    • 更新：2026-03-26 12:12
    • 简介：　　ShortfilmEmpireisbasedonaradiodramaSorry,WrongNumberbytheAmericanwriterLucilleFletcher.Actually,Sokurovdrawsonasinglethemeformingthebackgroundforthestoryofthethriller—thewoman'sillness…Theheroineisbed–riddenandheronlymeansofcommunicationwiththeoutsideworldishertelephone—untilakillerinterruptstheconversationaaa　　Sokurovremovesallthedialogues,leavingusalonewiththeheroine—“alivingskeleton”amongtherefined,withatouchofModern–style,furnishings—whoislisteningtoaradiobroadcastingofTraviata,withitspleasformercyandlove.Anelegantcoffin–homeisthespatialcentreandsymbolizationoftheentirefilm.Andinsidethecoffinwecertainlyseetheactress—thefamousRussianballerinaAllaOsipenkowhoplaysnotonlytheheroinebutalsoherownself.　　Thismetaphoriccinema–imagebearsanallusiontothegreat“handicapped”SarahBernhardtwhowasreportedtosleepinacoffin,aswellastotheentirecomplexofaesthetisedDecadence,convertinganapologyofDeathintoalifestyle.Hereisthekeytothecodeofthetitle.Empireisastylethatattemptedtoreanimatethedeadancientharmony.TheheroineofSokurov'sfilmcommunicateswithherphoneastheonlypartner,andsortofinterfereswiththebeyond,attractingthisair—intangibleyetsaturatedwithdanger.Itisfromtheradioairthatsheaccumulatesbothpleasureandtranquillity—theariaofdyingyetbelovedVioletta,whilethekiller'ssilhouettematerializesfromthephoneair.Achamberpot,overturnedandspiltbythekillerinhaste,remainstheonlyevidenceofhumanactivitiesinthisboudoirofDeath.Sokurov'smetaphor,cladinnaturalisticdetails,producestheeffectofironicdisclosure:“awetspot”isleftafterasymbol.　　ThefilmwasshotasastudyworkofaVGIKstudentS.Sidorov.AtthattimeSokurovdidnothaveachancetolaunchaprojectofhisown,thereforeheusedthispossibilitytowork.VisualconceptionofthisfilmanticipatesaconsiderablenumberofSokurov'sfutureexperiments:lightthatmodelsthespace,levellingofcolours,correlationofcontrastingtextures.
    1987/其它/电影解说 /其它/

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    剧情简介

    　　ShortfilmEmpireisbasedonaradiodramaSorry,WrongNumberbytheAmericanwriterLucilleFletcher.Actually,Sokurovdrawsonasinglethemeformingthebackgroundforthestoryofthethriller—thewoman'sillness…Theheroineisbed–riddenandheronlymeansofcommunicationwiththeoutsideworldishertelephone—untilakillerinterruptstheconversationaaa　　Sokurovremovesallthedialogues,leavingusalonewiththeheroine—“alivingskeleton”amongtherefined,withatouchofModern–style,furnishings—whoislisteningtoaradiobroadcastingofTraviata,withitspleasformercyandlove.Anelegantcoffin–homeisthespatialcentreandsymbolizationoftheentirefilm.Andinsidethecoffinwecertainlyseetheactress—thefamousRussianballerinaAllaOsipenkowhoplaysnotonlytheheroinebutalsoherownself.　　Thismetaphoriccinema–imagebearsanallusiontothegreat“handicapped”SarahBernhardtwhowasreportedtosleepinacoffin,aswellastotheentirecomplexofaesthetisedDecadence,convertinganapologyofDeathintoalifestyle.Hereisthekeytothecodeofthetitle.Empireisastylethatattemptedtoreanimatethedeadancientharmony.TheheroineofSokurov'sfilmcommunicateswithherphoneastheonlypartner,andsortofinterfereswiththebeyond,attractingthisair—intangibleyetsaturatedwithdanger.Itisfromtheradioairthatsheaccumulatesbothpleasureandtranquillity—theariaofdyingyetbelovedVioletta,whilethekiller'ssilhouettematerializesfromthephoneair.Achamberpot,overturnedandspiltbythekillerinhaste,remainstheonlyevidenceofhumanactivitiesinthisboudoirofDeath.Sokurov'smetaphor,cladinnaturalisticdetails,producestheeffectofironicdisclosure:“awetspot”isleftafterasymbol.　　ThefilmwasshotasastudyworkofaVGIKstudentS.Sidorov.AtthattimeSokurovdidnothaveachancetolaunchaprojectofhisown,thereforeheusedthispossibilitytowork.VisualconceptionofthisfilmanticipatesaconsiderablenumberofSokurov'sfutureexperiments:lightthatmodelsthespace,levellingofcolours,correlationofcontrastingtextures.

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